The place to see artwork gallery reveals within the Washington area


“With us the long run grows greener.” That slogan could be extra persuasive if printed someplace apart from the place photographer Todd R. Forsgren encountered it: on a plastic bag floating within the ocean. Photos of that and 44 related luggage, lots of which insipidly say “thanks,” are specified by a grid within the artist’s “A Subject Information to Pelagic Plastic Luggage.” The sequence is among the many standouts of “Approaching Occasion Horizons: Initiatives on Local weather Change.” The Mason Exhibitions Arlington present gathers thematically linked work by Atlantika Collective, a gaggle of artists who usually have ties to the Washington area however dwell elsewhere in the US and Europe.

A lot of the entries contain photographic imagery, whether or not nonetheless or transferring. Gabriela Bulisova photographed charred forests on two rolls of movie that she then crumpled and digitally scanned, yielding broken footage of destroyed locations. Equally stark and panoramic are Mark Isaac’s upward-gazing photographs of tree canopies outlined in opposition to white skies. Using shade somewhat than black and white, Katie Kehoe superimposed wildfires over footage of areas to which she has a private connection — and which, thus far, haven’t burned. The photographs in Sue Wrbican’s “Earlier than the Ghost” sequence are abstracted, however their bright-orange swells evoke hearth, maybe of the petrochemical selection.

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Nearer to house, Billy Friebele enlisted synthetic intelligence and a two-part video rig to discover the Anacostia River. The ensuing photographs and movies — one in every of which screens on a big, low-definition monitor within the plaza exterior the gallery — gaze each above and under the water line. The AI-generated digital stills produced within the course of are murky and mucky, but oddly lovely.

Atlantica Collective: Approaching Occasion Horizons: Initiatives on Local weather Change Via Oct. 1 at Mason Exhibitions Arlington3601 Fairfax Dr., Arlington.

When the pandemic compelled the globe-hopping photographer Matt Leedham to remain house, he curled up with a very good e book — one he made himself. The Virginia artist collected a few of his footage right into a quantity, within the course of educating himself about Asian handmade paper and European bookbinding strategies. A few of the outcomes are on show in “Recto/Verso,” a A number of Exposures Gallery exhibition that takes its title from the entrance (or proper) and again (or left) of a leaf of printed paper.

A number of copies of the e book are on show, opened to pages that juxtapose such rhyming photographs as “Open/Closed”; an oblong cavern portal that reveals sky past (verso); and a stone-framed doorway blocked by a pile of rocks (recto). Leedham did not limit itself to a single format, although. The present additionally consists of photo-based scrolls, a particularly horizontal “accordion e book” and a number of 3D “tunnel books” that permit the viewer to gaze previous outer photos to view partly hid internal ones.

Leedham does not establish his photographs’ areas, however language typically affords a clue: Two tunnel books function indicators in Thai and Japanese, respectively. The Japanese textual content is subsequent to a set of rail-car home windows behind which the photographer has inserted sweeping out of doors scenes. Exterior turns into inside — or verso turns into recto — in Leedham’s wittily jumbled tableaux.

Matt Leedham: Recto/Verso, A Pandemic in Codex Via Oct. 2 at A number of Exposures GalleryTorpedo Manufacturing facility, 105 N. Union St., Alexandria.

Components of Elizabeth Helmet’s footage are unfastened and fluid, splotched and drippy. But viewers of her Athenaeum present would possibly properly guess, appropriately, that the Portugal-born native artist educated as an architect. Casqueiro’s creations embrace crisp, straight strains and clear, rectangular blocks, and a few incorporate exact renderings of classical buildings or land-use plans. This architectonic high quality makes them appropriate with the work of the venue’s different present featured artist, Jean Sausele-Knodt, whose 3D wall sculptures have been reviewed on this column beforehand.

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Helmetiro’s type pits tender vs. laborious, line vs. shade and paint vs. ink. Shiny hues dominate, but there are additionally stark black kinds and areas of impartial grey and tan. Flowers typically seem, typically painted however typically outlined as rigorously as in a botanical guidebook. Floral kinds may also happen in additional ornamental schemes, echoing material or wallpaper designs.

On steadiness, the painting-drawings are extra calculated than intuitive, but the primary impression they offer is sort of the alternative. Shut statement takes the attention from shade to kind, and into compositions which might be extra intricate than they initially appear. In a way, Casqueiro’s footage are like buildings, revealing particulars as they’re entered and traversed.

Elizabeth Helmet Via Oct. 2 on the Athenaeum201 Prince St., Alexandria.

In separate native group reveals, the Korean-born, US-based artists WonJung Choi and Ahree Music discover the thought of ​​transformation. Choi took the highest award on this 12 months’s Trawick Prize, whose winners are featured in a Gallery B exhibition. Music is one in every of three artists featured within the Korean Cultural Heart’s technology-themed “True and False.”

Choi’s prints and drawings are one thing of an art-history — or art-prehistory — joke. She devised a genealogical chart that imagines the offspring of two artifacts, unearthed in what’s now Germany, which have been dated to 35,000 to 40,000 years previous: the “lion-human” and the “Venus of Hohle Fels.” Choi supposes that the mating of the angular lion-human and the bulbous Venus would have steadily led to individuals who look extra like modern people. On this situation, mutation results in normality.

Music does not need to guess what her evolutionary experiment would yield. Her “Contained Time” is a pink bell pepper coated with urethane primer, an industrial waterproofing materials, and allowed to decay. Remoted from air, the vegetable liquefied, but retained its form and shade. The result’s a plastic reproduction of a pepper that’s, additionally, an precise pepper. “Contained Time” is as vibrant and comely as a bit of pop artwork, and but affords an eerie commentary on science’s skill to denature natural objects.

The Trawick Prize: Bethesda Up to date Artwork Awards Via Oct. 2 at Gallery B7700 Wisconsin Ave., #E, Bethesda.

True or False Via Oct. 3 on the Korean Cultural Heart, 2370 Massachusetts Ave. NW.

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